Calamity Jane at THEATRE ROYAL PLYMOUTH

A Rootin’-Tootin’ Triumph Full of Heart and Harmony

Calamity Jane is a show beloved across generations, thanks largely to the iconic 1953 film starring the radiant Doris Day. With such a nostalgic legacy, any stage revival carries the responsibility of honouring that memory while also engaging fresh audiences. This production embraces that challenge wholeheartedly, delivering a charming, high-energy performance filled with smart casting, stylish staging, and genuine heart.

This rendition is staged as an “actor-muso” production, meaning the cast performs not only the dialogue and vocals but also plays the musical instruments live on stage. Initially, I had some concerns as actor-muso formats can sometimes limit choreography due to the practicalities of playing instruments. However, from the very first scene, these fears vanished. The company transported us straight into a lively honky-tonk world, joyfully playing old-time instruments like banjos, double-bass, and upright pianos as they sang The Black Hills of Dakota, encouraging audience participation from the get-go. It was an effective and immersive opening that set the tone for a spirited evening. What impressed me most was the cast’s ability to juggle complex hoedown choreography whilst playing their instruments, a true testament to their versatility. Learning a full score, performing without sheet music, acting, singing, and dancing simultaneously? This cast isn't just triple-threat, they're quadruple-threat talents.

The set design was modest but effective. Styled as an old-time saloon theatre, it featured two side balconies, a smaller stage at the back, and a rustic antler chandelier overhead. While visually strong, the depth of the upstage area occasionally created a sense of detachment, particularly from my view in the stalls when action moved to the smaller stage. At times, visibility was hampered when the cast sat in front of the main action, blocking key moments. A raised platform might have improved this slightly.

I particularly thought the sound quality in this production was excellent. The vocals were crisp and clear; every word was audible and the balance between live music and vocals was spot on. Costuming was equally well considered. Calamity’s iconic frontier look, complete with buckskin jacket, leather boots, and trousers was instantly recognisable and fitting, while the ensemble’s mix of gun belts, denim, and bandanas convincingly evoked the Gold Rush era.

- Credit: Mark Senior

As for the cast, everyone was strong but a few notable mentions. Samuel Holmes as Francis Fryer is a true scene stealer. From his first entrance, Holmes proves he’s a pro, with pitch-perfect comic timing, sharp dance skills, and a strong voice. His escalating panic when he learns of Katie Brown’s deception is both hilarious and endearing. The only slight misstep for me was his costume, which with a purple jacket and top hat felt a little too “Willy Wonka”.

Seren Sandham-Davies was utterly charming as Katie Brown. Her “bad” singing in Keep It Under Your Hat was skilfully delivered with a nervous, off-key sweetness that worked beautifully, the reprise of the number marked a clear evolution in her character, with excellent vocals that were more polished and brimming with spirit and determination. Seren brought a gentle, natural warmth to the role, growing steadily more vibrant as the performance progressed. She began as a timid, anxious newcomer and blossomed into a confident, spirited presence by the final scenes. Her endearing charm and strong, expressive vocals suited the character perfectly.

Vinny Coyle brought a warm charisma to the role of Wild Bill Hickok. While the character is meant to be a bit gruff and intimidating, Coyle’s gentle charm shone through, making him an audience favourite even when sparring with Calamity. His Act 2 opener, Higher Than a Hawk, was a highlight. This tender, stripped-back performance showcased his impressive vocal range as he accompanied himself on acoustic guitar, further proof that this production is bursting with multifaceted talent.

And at the heart of it all, Carrie Hope Fletcher as Calamity Jane is simply sensational. From her first entrance, she exudes star quality. Her powerful belt and clear tone tackled the demanding score with seeming ease. Carrie’s comedic timing added flair to the feisty Jane and she navigated the high-octane dance numbers with stamina and skill. During I Just Blew in from The Windy City, despite the obvious physical demands, her vocals remained strong and controlled. But it was her rendition of Secret Love that truly brought the house down, delivered with warmth, vulnerability, and vocal finesse. The soft hum of the audience joining in could have been distracting, but instead, it added to the moment’s nostalgic beauty. It was the emotional peak of the night and Fletcher earned the biggest applause of the evening.

In summary, this production of Calamity Jane is an absolute treat. Whether you're a lifelong fan of the film or discovering the story for the first time, you’re in for a joyful, toe-tapping night at the theatre. The production bursts with high-energy musical numbers, thrilling dance routines, lively characters and plenty of humour. The hoedown finale had the audience on their feet, some even linking arms and starting their own impromptu hoedown. It’s proof that even a classic musical, thoughtfully staged with imagination, still thrives and resonates with audiences of all ages today.

Yeehaw! Calamity Jane… There’s still life in the ol’ gal yet!

⭐⭐⭐⭐

SEAT REVIEW

Venue: Theatre Royal Plymouth

Seat location: Stalls, Row E, Seat 5.

I haven’t found a bad seat in this Theatre yet. You’re close enough to feel part of the action, but not so close that you miss the bigger picture. The view of the stage is clear and unobstructed. While this seat might appear far to the left on the seat map, it actually offers a very central view.